Well this is something new and different. The Arcade Fire have always been into pushing the themes of their albums and the suburban angst from their latest, The Suburbs, is no more clear than in their new video for “We Used To Wait.” The music video website asks [...]
Well Sufjan really likes surprises. First the out-of-nowhere All Delighted People EP, then the news of his long-awaited new full-length, The Age of Adz, and now a stream of one of the tracks from Adz! This guy knows just what we want and he’s delivering. The track is definitely not quite what we’re [...]
The day has come! Put down your worn-out copy of Illinois and get ready for The Age of Adz, Sufjan Stevens’ LOOOONG awaited new (song-based) album. On the heels of the mysteriously surprising All Delighted People EP last week, Sufjan has announced the release of the new album (pronounced The Age Of Odds) [...]
Kudos to Pitchfork for picking up on this Vanity Fair article about the woman who appears on the cover of Vampire Weekend’s top-selling album, Contra, and is suing pretty much everybody over it. The polaroid of a blonde-haired blue-eyed girl from the 80s is maybe one of the most memorable album covers [...]
Big news for Portland band Starfucker! Not only are they announcing a big tour with cute Austin-based group The Octopus Project, but they also signed to Polyvinyl! Wonderful! The band will release Julius, their first single with the label on September 14 (digital) and October 12 (vinyl). Fortunately, we already have an [...]
Any time a song is named after a Seinfeld joke, you know it’s worth listening to. Art Vandelay, the great importer/exporter can now live forever in the song of the same name by Ducktails, another project related to the ever-growing Real Estate family. The track is the b-side to the band’s upcoming [...]
I think I’m getting used to MGMT videos now. Are they weird, odd, against the grain? Yes. But does that make them bad or unwatchable? Never! I’m sure they represent things that are very deep and meaningful! And visually they’re always interesting and unique! In this one we have our familiar heros traveling [...]
Weezer has left their long-time record label, Geffen, in a move they and others have called going “independent.” But rather than self-release their next album, or sign with a truly small label, they have instead signed with Epitaph Records. Although this moves the band away from corporate giants, is it really going [...]

A lot of bands with complicated sounds like to take their act to the stage and put on a big, complicated show. Sometimes, this works very well (see Holy Fuck) and sometimes this falls short (see Cymbals Eat Guitars). But sometimes a band with a very simple sound and a very simple show to match can steal an entire festival. Enter: Harlem.
I’ve long professed my love of this smarmy Austin trio who has made a name for themselves singing about weed, love and “Gay Human Bones,” and after seeing their set at Siren, I can now profess my love for their live act. After watching the seemingly snotty and disconnected Surfer Blood, Harlem was a breath of fresh air. Between ripping through the likes of “Friendly Ghost,” “Be Your Baby” and “Gay Human Bones,” the three kept things happy and playful, occasionally egging on the already feisty crowd for more support. As if at the band’s command, the audience moshed harder, crowdsurfed even more and were promptly shoved back in by security.
If any band had a finger on the pulse of the audience, it was Harlem. They played flawlessly and appeased what appeared to be every single person in attendance. Their garage side pleased the angst-ridden masses, while the pop side simultaneously lifted their spirits. Despite the pushing and shoving, the people in the crowd seemed genuinely elated. Even if nobody, including me, knew what “Gay Human Bones” was exactly about, the crowd and the band looked too happy to care.
Harlem – “Gay Human Bones” [MP3]
More photos after the jump.
Continue reading Harlem @ Siren →


Holy Fuck didn’t turn heads at Siren, it threw them back in ecstasy. The experimental/psychedelic/dance band is known for their often-improvised instrumental jams, and they brought everything out in their festival-closing set Saturday that seemingly took the crowd by surprise. The thousands-deep slew of people moved like nobody was watching and like they themselves couldn’t stop themselves.
Frontman Brian Borcherdt spent a lot of the set playing with a metal contraption covered in cranks and levers that he ran a long spool of film through to create an eerie squeaking that punctuated each song. The rest of the band channeled the emotions as they kept the steady, rhythm-heavy songs pumping along.
Holy Fuck was one of the only bands at Siren to move the crowd to such a fervor, and they did it with the ease of any veteran act. Is this the return of the jam band? Or the evolution of what it means to jam?
Holy Fuck – “Latin America” [MP3]
More photos after the jump.
Continue reading Holy Fuck @ Siren →

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