Josh and Mer

Josh and Mer are, unsurprisingly, Josh Schroeder and Meredith Adelaide, a duo out of Portland, Oregon. No, but really, their shortened band name is symbolic of their dressed down sound, stripping away the complexities while providing a simple, whimsical brand of indie pop.

Check out the lead single off their debut album, Planet Music, below.

Josh and Mer – “From The Sea” [MP3]

Josh and Mer on the web | Facebook | Tumblr

Rachel Grimes – Marion County 1938 EP

Some days music owns you. Sometimes you come across a piece of music that literally stops you in your tracks. As each phrase passes you don’t move an inch, voluntarily paralyzed, for fear of missing or accidentally drowning out some subtle nuance. This music reaches deeper than other music. Rachel Grimes latest release, Marion County 1938 is this kind of music.

Chamber music isn’t exactly the first thing to jump to the front of the line when you think of styles of indie music, but yet, here it is. As a member of 90’s chamber ensemble Rachel’s, Grimes’ piano served as the backbone of a group who dropped modern classical music squarely in the laps of post-rock disciples and indie-rockers everywhere. In 2009 Grimes released an excellent solo album called Book of Leaves; with the arrival of the EP Marion County 1938, Grimes has achieved a new level with her composition.

Marion County 1938 is a 3-song composition commissioned as a score for the 1938 silent film Our Day, by Wallace Kelly. The film is a simple document of one family’s day doing very typical things. When set to Grimes’ score the film becomes anything but typical. The opening track “Halcyon Hill” features delicate piano passages coupled with clarinet and oboe. This composition has the magical ability of being melancholy, joyous, and nostalgic all at once. “Earthly Heaven” and “In the Parlor” continue these themes while becoming playful and whimsical at points.

Modern classical composers can easily fall through cracks of the modern music landscape, but Rachel Grimes is one that deserves your time. Listening to Marion County 1938 is a humbling experience, well worth a few quiet moments from your day. Marion County 1938 is available as a DVD that includes the film as well as the audio files for the score and other Wallace Kelly films. You can find it on Grimes’ Bandcamp page for $8, so please don’t delay.

Maggie8

You’ve likely noticed that I’m keen on starting the work weeks with something unique and uplifting. We don’t often (read: never) get Hindi folk submissions, and while at first the distinct sound can be a bit off putting, I think you’ll grow to love it like I have. Maggie8′s complex arrangements and excitable, orchestral instrumentation will surely put them on the fast track to success. When I can tell from recorded songs that I would love a band’s live show, they must be in pretty good shape. Check out a couple tracks off their recently released This Charming Lady EP below.

Maggie8 – “This Charming Lady” [MP3]

Maggie8 – “Khet” [MP3]

Maggie8 on Bandcamp | Facebook | Tumblr

Maggie8 are Nivedita Pisharoty (vocals and bass), Mark Wright (vocals, guitar and banjo), Peter Mottram (keyboards), Dominic Hand (trumpet and melodica), James Mann (guitar) and Matt Figgis (drums).

[Hype Hype Hooray] The Online Hype Machine Pushed Lana Del Rey Over a Cliff

Every [two weeks?] Jamie Hale takes a long, hard look at the music industry and the blog scene that feeds it. Here, he releases those findings and makes snarky, sarcastic remarks. Admittedly, both Jamie and Knox Road are a part of this scene. So sue us.

“Poor Lana Del Rey” read The Hollywood Gossip on Sunday. “It possibly couldn’t have gone worse,” said The Huffington Post. Just what offense could Lana Del Rey, controversial internet singing sensation, have committed to warrant such a dramatic response? One of the worst offenses ever–she bombed on Saturday Night Live.

That’s right, the very same Saturday Night Live that everybody pretends to be too cool to watch. People like to be all “Bobby Moynihan who?” but when somebody botches the music section they just happen to catch it. “Oh, I saw the whole thing. I just happened to be flipping by,” they tell you.

What they caught this past Saturday was a performance by Lana Del Rey, known across the internet for one-off pop tunes like “Video Games” and “Blue Jeans” that sound a lot like songs sung by a less-badass Amy Winehouse. She sang both those songs at SNL last weekend and geez, she really bombed it.

Del Rey’s performance was all shifty and nervous and full of mumbling, rushed lyrics. Even NBC anchor Brian Williams piled on in an email to Gawker editer Nick Denton:

“Brooklyn hipster Lana Del Rey had one of the worst outings in SNL history last night– booked on the strength of her TWO SONG web EP, the least-experienced musical guest in the show’s history, for starters…”

Alas, Williams is right. Del Rey DID have an exceptionally bad outing and she is the only SNL musical guest to get on the show without a full-length release under her belt since 1998′s Natalie Imbruglia took the stage. A lot of Twitter critics suggested she might not be talented enough for the big times and is a disappointing result of arrogant internet hype.

But did the internet lead the people astray? Or did it lead Del Rey astray?

Ever since the singer has popped up online, blogs and online music fans have been going nuts for her music. Pitchfork is practically doing all the promotion she needs, hyping everything from tours to singles to video of that SNL performance (without commentary, of course). Other blogs and entertainment sites have had a go at Del Rey too, some praising her songs and other criticizing her corporate-influenced past.

All the hype has led Del Rey to put her career on the fast track; she embarked on an international tour at the end of 2011, is releasing her debut album, Born 2 Die, on Interscope at the end of January, and has already signed a modeling contract (all that news and more can be found at Pitchfork!).

Suddenly, she found herself on SNL, staring at a bunch of crane-driven TV cameras, performing in front of millions of scrutinizing eyeballs. Try and tell me you wouldn’t be nervous. Del Rey certainly was; she said as much before the show. But it’s not necessarily her fault she’s in this SNL mess now (although she didn’t have to agree to appear if didn’t feel up to it).

No, a lot of the blame should go to (and I hate to do this, but what are you gonna do?) the online hype machine (note: not the online Hype Machine). Everybody got so anxious about this rising star that seemed to come out of nowhere. Del Rey wasn’t born in the studio or record label boardroom, she was born in the depths of YouTube and WordPress, and thus belonged to the people of the internet.

Many of those outside the online bubble scoffed at the singer, probably because they missed out on telling all their friends about her first. Others waited, with baited breath, to hear the singer live on the national stage to pass judgment. And man, they must have been disappointed. But these critics made a mistake–they put all the criticisms on Del Rey.

Sure, she blew it. She bombed. She ate it. It sucked. But what can you expect from an artist who has only spent a matter of months in the spotlight, many of them spent taking even more criticisms for her past career? I don’t like biting the hand that feeds me, but I have a hard time believing that had the hype machine not blown up Del Rey so fast, she wouldn’t have become “that singer who flubbed it on SNL.”

But will blogs like Pitchfork keep up the hype? In the words of fellow female flop Sarah Palin: “You betcha.”

Triple Gangers

For those of us who had work (or school) off due to Martin Luther King Jr. day, I’ve got a band that will surely provide a jump start to our real week. This Toronto trio knows how to have fun with their music, and, better yet, knows how to show the listener that this is the case.

3XG, their debut EP released free in December, is full of bouncy pop, sheets of synthesizer for a little r&b flavor, and an unwavering youthful jubilance. The colors you see in the photo above are an apt match for the sound, and even the lyrics themselves tell us not to take this whole life thing too seriously. Triple Gangers is a pleasant distraction to an otherwise cold and dreary last few days.

Triple Gangers – “Saltwater” [MP3]

Triple Gangers – “Flowerbed” [MP3]

(p.s. Triple Gangers includes members of The O’Darling, an orchestral folk group covered on Knox Road in early 2009.)

Triple Gangers on Bandcamp | Facebook | Tumblr

[MP3] Mansions on the Moon: “Rest Of Your Days”

There’s only so many positive things you can say about one man and one band. Ted Wendler and Mansions on the Moon strike again. Count this as another MotM song I’ll be listening to on repeat. So smooth.

Mansions on the Moon – “Rest Of Your Days” [MP3]

Mansions on the Moon on Knox Road | Website

[Abby's Road] So, you’re keen on music?

My friends, the dear ones, are obviously aware of the music I fancy. Many of my closest relationships over the years were sparked by having a passion for the same records and artists. These people know my collection. I’ve left some of them confused (and annoyed!) in the past, not by what is in my collection (I’ve mentioned the Jethro Tull Christmas Album…eeep) but by what it’s missing. Along with my long list of favorites I have a short list of bands and artists I absolutely dislike and do not have in my collection:

The Beatles – I love John Lennon. I even like Wings. I’m not a fan of the Fab 4. I remember being super sick with the flu as a little kid and, while watching an episode of their cartoon, vomiting all over myself. Never mind their being one of the most commercially successful and critically acclaimed acts in the history of popular music…they’re tainted.

Pink Floyd – Unlike many of my contemporaries in high school, I never subscribed to “Floyd”…sigh. I loathed the tie-dyed tshirts and pseudo-hippiedom of the crowd who listened to them and The Wall freaked me the hell out. What about the idea (of many) that they invented Shoegaze music, my tip-top, desert island genre of all time? Of course, I’ve listened and the claim is quite valid. Still, I just can’t get into them. Perhaps it’s rooted in memories of sweating on the elementary bus on my way home from the last day of school while the “big kids” screamed the familiar words of “Another Brick in the Wall”. Thought control? In the 4th grade? Come on.

Guided By Voices – They confound me. It’s bright music but makes me feel tired, like I am waking through molasses. I had a roommate who was a superfan. Hearing them takes me back to a time when my health wasn’t so hot. Ugh. My sister and my bff happen to think they are one of the best bands to have walked the planet. Sorry guys.

Ludwig Van Beethoven – A Clockwork Orange freaked my ass out 1,000 times more than The Wall ever will.

I could go on, but I won’t. My point has been made. I think.

For as many times as I’ve written positively about a tune transporting me to a special place, serving as a reminder of a lovely specific minute in life, it can also haunt a listener. It’s impossible to like everything. Besides, liking everything is terribly boring. You know that person you once met and never became friends with? The one when asked about their favorite band/artist/genre answered, “Oh, I like everything/The radio/A little of this and a little of that”? Poppycock. Grow a pair, raise your hand and stake your claim. It’s not ok for me to like Gavin Rossdale, but you can.

I understand the reasons behind my not owning and really studying the music of the acclaimed artists listed above are, on a whole, ludicrous, so hold your fire. I’m aware of the Beatles and Beethoven. I can hum along to a large part of their catalogues. I’m not stupid. I know I’m missing out on some incredible material. But what’s the point in suffering? That’s the beauty of choice.

Happy weekend.

[Abby's Road is a Knox Road feature published every other Friday.]

Dream Brother

Our friend Ian Anderson is up to new things and we’d be remiss if we didn’t discuss ‘em. One For The Team is no longer, but he certainly hasn’t stopped making peppy poppy music. Anderson’s latest project is Dream Brother, and the first two released songs feature special guests Paul Sprangers (Free Energy frontman) and indie-veteran John Vanderslice. Catchy yet understated, Dream Brother shows plenty of promise and serves to ensure that Anderson’s musical prowess won’t be leaving our ears any time soon.

Dream Brother – “Haunted Heart (feat. Paul Sprangers)” [MP3]

Dream Brother – “Pretty Eyes (feat. John Vanderslice)” [MP3]

Dream Brother on the web | Facebook

Bogan Via

Bogan Via is a duo out of Phoenix that makes my heart go aflutter. Madeleine Miller’s sweet falsetto is gently contrasted with Bret Bender’s raspy baritone. The songs heavily rely on the duo’s vocals, but the angelic instrumentation also makes me swoon.

Also, these words from Bender make it that much sweeter:

About four months ago I saw a video of Madeleine singing an original song, emailed her to see if she’d like to meet up for a little jam out, and things have been gangbusters ever since.

Gotta love the creep-o internet.

Bogan Via – “Afternoon Wonderland” [MP3]

Bogan Via recently released a five-song self-titled EP, which can be picked up on Bandcamp.

[MP3] Woodpigeon: “For Paolo”

You know those songs that make you wanna just sigh (in the best way possible)? Welcome to Woodpigeon‘s newest, “For Paolo.”

Woodpigeon – “For Paolo” [MP3]

For Paolo, Woodpigeon’s new EP, is set for release on January 24 via Boompa Records.