Second Hand Heart

Second Hand Heart

For the chilly nights after crazy hot days. My favorite kind of night. I could sit outside for hours.

Bonus: Second Hand Heart – “Trouble” [MP3 via SoundCloud]
Bonus: Second Hand Heart – “Tu me perds” [Link to stream]

Second Hand Heart on the web | Facebook | SoundCloud

[Hype Hype Hooray] Let’s Talk About Julian Lynch For a Second, Huh?

HypeHypeHoorayNEWHype Hype Hooray is a biweekly “critique” of the music scene and the blogosphere that feeds it, told through the lens of Jamie Hale, a journalist who likes music about as much as he likes scotch and a firm leather chair. Please enjoy with a grain of salt.

I sat on a plane in the sky, somewhere between Portland and San Francisco. My in-flight ginger ale bubbled nervously on the tray table in front of me. I was en route to Los Angeles by way of San Diego to visit friends. The trip was meant to be fun, a vacation to a part of the world with which I wasn’t familiar, but a small voice inside me begged for something greater, something more significant.

I pulled out my iPod and scrolled through to a record I hoped would calm my nerves: Julian Lynch’s latest album “Lines.” I sipped the soda and leaned back against the hard fabric seat. The music engulfed me at once:

Jangling guitars, thudding drums, discontent synth, and droning woodwinds, all coming together dramatically and at once, playing a chaotic melody of foreboding and fear. I swallowed hard. My ears popped. I stared ahead into a field of blue fabric as the music grew more intense. I was embarking on a journey of great importance, I realized, one with high stakes and dire consequences. The song thudded in step with my heart.

As I accepted this fate, this feeling of purpose, the music faded away. It gave rise to a soothing melody set to a confident rhythm–a simple, tribal sort of song cloaked in thin, whispered vocals, like a sheer cut of silk. It offered comfort in nature, in human nature, it seemed to say, in the raw, uncomfortable emotions I felt that, it didn’t acknowledge, it had made me feel in the first place.

And just as I had accepted that truth of the moment, the song broke down chaotically and faded away, evolving into something else entirely–another song with another emotional objective. While it should have been maddening, the music calmed me down, it showed me that the feelings I had were real, and that in spite of my anxiety there was peace to be found. It was heartening. It was beautiful. It was profound.

Such is the world of Julian Lynch.

Continue reading [Hype Hype Hooray] Let’s Talk About Julian Lynch For a Second, Huh?

Canary

Canary

Canary, out of Australia, recently re-released their debut album, Dear Universe, and it’s one hell of a mature effort for a first album. While the styles of sound are uniquely varied, Canary never tries to overdo it. The light and airy textures will keep Dear Universe buzzing in my ears.

Canary on the web | Facebook | Bandcamp

Trails and Ways release Trilingual EP

TrailsandWays_4

Colors define reality. Dullness becomes hysteria. Do you see color when you listen to the sounds that resonate most in your head? Do you see hot reds and oranges when listening to rock, and grainy blues and greens when listening to folk? Waves of sound become intensely hued. The best sounds make me feel. I view my emotions in color.

Trails and Ways on the web | Facebook

[soundscape] on where you are now

sleeping bravely

photo: ‘sleeping, bravely.’

song: peter and the wolf – “safe travels”

i was 19. i had moved, recently, from los angeles, where i had been homeless [sleeping in my car, then sleeping in my office when my engine seized] for a month before moving to colorado. i went through bouts of almost- and near- and essentially-homelessness for a few months before finally getting approved for an apartment.

when i found out i had been approved, i was professional and courteous on the phone. i didn’t act surprised. i acted non-chalant. like getting approved for an apartment was normal and that i was like every other 19 year old girl. after walking the many miles to my new apartment and finally being able to pick up the keys, it was late at night.

i unlocked the door.

i walked into the bathroom and i realized that i could bathe whenever i wanted.

for the first time in months, i cried.

Continue reading [soundscape] on where you are now

[Abby's Road] Songs of love and hate

abbybeingcool

This is going to be a sensitive one.  Fair warning.

Summertime. We’re nearly there, though friends of mine in the eastern US have been sweating their asses off for some time now. Despite torrential downpours and some extreme flooding throughout Germany there have been a few gorgeous, sun-filled half-days sprinkled in for good measure. One of which was a week or so ago when I went to my first open-air gig (aside from a festival) in a very long time. It was in the center of the small town of Dachau, only about 20 minutes by SBahn from Munich: Grizzly Bear and an unremarkable opener I don’t care enough about to look up. Grizzly Bear was good. That’s all I have to say about them.

Now. I’ve spent the better part of 3 years living in western Europe and I am well aware of (and was prior to my move) the unbelievably ugly history a certain small group of folks from the place I now call my home have branded on the entire world, not to mention their relationship with my homeland as far as WWII is concerned. It must be said that the beauty of this country, of Bavaria, the people here, the art, the multicultural neighborhoods, the food, the architecture..everything… far outweigh the aforementioned historical stain. I have to admit I really didn’t pay the history that much attention aside from learning about it in school, realizing its horrors, lamenting on them and then going to math class. Right or wrong that’s the truth. Two summers ago I had the opportunity to visit Normandy, Omaha Beach specifically. The overwhelming sense of loss and sadness I felt while visiting there coupled with the complex emotions my better half, a German, was having were practically unbearable, but necessary. Then I came home and la la la life went on.

I love music. Not all of it. That’s a shite statement given by people who could give a fuck about music at all. “What bands and music do you listen to?” “Oh, you know…everything. The radio…” GAH. Anyhow, while I have definite favorites, my eardrums can bend toward specific and completely different genres depending upon my mood. “Even classical music, Abby? Operas?” Why yes, even classical music. Specifically Richard Wagner. I can almost feel the mood lowering.

Yes, Wilhelm Richard Wagner. You know him from such hits as “Flight of the Valkyries”. And the fact that he is one of the, if not the most controversial composer in history. I think the first time I heard Tristan und Isolde years ago I was enraptured. Hooked. It is just so. painfully. beautiful. You can read all you want about his life, his works, his successful attempt to bind theatre and stage and orchestration and opera and visual art into one glorious, spine-tingling bundle. His attempt to escape creditors, his affairs and his exile to Switzerland is gloriously gossipy. What always seems to stand out however, as it should, are his anti-Semitic political writings and, posthumously, the fancy a certain German political leader of the 1920s-40s took to his music. So. Quite the conundrum, right? Is it wrong, for obvious reasons, to listen?

Continue reading [Abby's Road] Songs of love and hate

[MP3] Blåtime: “Leave, Go”

blatime leave go

Wow. These guys came from out of nowhere (well, technically, Norway) to deliver one of my new favorite songs. Frenzied, yet elegant, and one hundred percent euphoric. I love it.

Blåtime on Facebook

[Hype Hype Hooray] Rivers Cuomo’s Detestable Fall

HypeHypeHoorayNEW

Hype Hype Hooray is a biweekly “critique” of the music scene and the blogosphere that feeds it, told through the lens of Jamie Hale, a journalist who likes music about as much as he likes scotch and a firm leather chair. Please enjoy with a grain of salt.

Today I decided to check out Rivers Cuomo’s latest contribution to music, “Homely Girl.” The song is 100 percent, fine-cut Japanese pop. It’s sung almost entirely in its appropriate language. It’s straight out of the closing credits of any anime ever. It’s also unbearable.

I sat down and decided to take a closer look at the song. looked at it from the outside: a well-made ode to popular Japanese music written by a talented and well-respected songwriter. But then I stepped a little closer and saw it for what it was: an awkward, conceited waste of time written by a narcissistic lunatic.

We all remember Rivers Cuomo, right? He was the awkward guy with glasses who fronted Weezer, the alt-rock band from the ’90s who did “Buddy Holly” and “Hashpipe,” among other things. Before he was a confident shooting star however, Rivers was once known as something of a king to awkward, outsider teens, who angrily embraced his words as if they were their own.

In those days Rivers thrived. Remember The Blue Album? It swayed cautiously, yet aggressively into our hearts, burning with a quiet intensity that inflated our troubled souls. We nodded our heads with every word. MY name was Jonas and THAT WAS how I felt.

Then there was Pinkerton. We grew with Rivers from his first album to his second, encountering the same painful experiences in our lives, learning the same lessons he did. This was an opus to being emotionally estranged–a sort of opera for those who isolated themselves within themselves. It was Rivers bearing his raw, beating heart to the masses. It was beautiful, but it ruined him.

Continue reading [Hype Hype Hooray] Rivers Cuomo’s Detestable Fall

Rue Royale: “Set Out To Discover”

Rue Royale Set Out To Discover

Firstly, we hope all of our American readers had a nice, long Memorial Day weekend involving some form of barbecue (I was on a train and had their BBQ veggie burger. Sounds unexciting but it was fun!). Secondly, with a transition that really has no place here, comes a new song from Anglo-American duo, Rue Royale. Since posting about them in 2011, I’ve had a love-love relationship with the married pair, having listened to Guide To An Escape several times over. I’ve been eagerly awaiting new material, and last week they satisfied my hunger, providing the first single, “Set Out To Discover”, off their forthcoming album Remedies Ahead.

In their typical subdued manner, Ruth and BrookIn Dekker create a wandering melody for “Set Out To Discover,” with elegant, hushed harmonies. In perhaps a slight change of sound, they play around with psychedelia near the end of the tune. I’d like to hear more of that on Remedies Ahead, and expect they may be giving us a small taste to prepare us for what’s ahead.

Rue Royale on the web | Facebook

[Abby's Road] Like Fire

abbybeingcool

We are overrated – we humans, I think. While there is a propensity for kindness and love and the pleasant, gentle touches of friends, we are also noisy and hateful and we abuse each other and the land that breeds the means to our own good health and well being. Perhaps this is the reason behind only allowing a handful of folks into my life, as far as friendships are concerned. I have a hunger for closeness and platonic intimacy, obviously, as I have friends (new ones, even), yet seeing my own faults reflected in the actions of others is uncomfortable and depressing and therefore avoided a lot of the time. I have issues, you say? Well, of course I do. Fucking hell. So do you. So there.

Music is an escape. Sometimes a song can be so good it seems to have been created in an otherworldly musical Petri dish by ghostly hands unattached to a mere mortal. But alas, the rhythms blanketing one’s solitary existence are made by people. Though it would be magnificent to witness, the strings aren’t plucking themselves. The human element can lead to disappointment, not so much in the music as in the person behind it, often changing the way a song is heard and perceived. For example: will I continue to listen to Sonic Youth on occasion? Of course I will. That said, will I ever be able to listen to “Silver Rocket” again without thinking Thurston Moore is a complete asshole for shacking up and leading a double life with some young groupie bird who ultimately severed the matrimony of one of rock and roll’s great duos? Nope. We all make mistakes and he killed the awesome.

Continue reading [Abby's Road] Like Fire