Tragic events have afflicted my hometown this past week, one hitting closer to me personally, but both just as heartbreaking.
It’s the small things in life that we don’t pay any attention to until it’s too late, and often not even then, that help us become whole. We all work. We all look for [...]
“The world used to be silent / Now it has too many voices.”
- Savages (Silence Yourself Manifesto)
As I prepare to see Savages at the Fonda Theatre in L.A. tonight, I look back at my first experience seeing this band earlier this year.
Jerking her head back-and-forth, with sudden and purposeful movements, Jehnny Beth’s dark, piercing black pupils slice through the crowd’s veneer of hipster-euphoria like a Katana sword through a watermelon. Her stage presence is as impressive as Ian Curtis during the genesis of Joy Division, and one day, we’ll all be talking about her ability to own a crowd. So if you weren’t already aware, Beth, the vocalist and lyricist of UK-based quartet Savages, is driven to be taken quite seriously. For her, Savages is fine art; a gallery showcase of her soul, and to be taken seriously as a proper artist is expected.
The Hipster Gestapo at the El Rey, with their heads spinning as they text their fellow KCRW-listening groupies about the “Next Joy Division,” seem dumbfounded at the monochromatic intensity in the French-born singer’s eyes. As the white lights reveal the wrinkles in their all-black outfits; bass player Ayse Hassan quickly stands out sonically with the pummeling bass line for “City’s Full,” which has the bassist bouncing behind her pearl white P Bass like a possessed beatnik on a pogo stick. The ferocious rhythm section of Savages is the byproduct of Hassan’s experimental punk plucking; smashed together with the outright hydrogen explosion of crashing cymbals and frenetic hi-hat bravado of their drummer, Fay Milton, who is known to have an unconventional warm-up routine that requires isolation and focus. Milton’s virtuosity behind the kit is one of the pillars that will hold this band above their peers, in a different stratosphere, for as long as they wish to occupy the space.
Continue reading Nothing Romantic About UK’s Savages →
With vocals reminiscent of Britt Daniel (Spoon) and a definitive Britpop vibe, Spires is bringing back the feel good 1990s. The NYC foursome is picking up local steam and looking to make a name for themselves outside the city. Their debut 7” and digital single “Candy Flip” is slated for official release October [...]
He knew he was done. He hadn’t been doing quality work in a while, and frankly he didn’t care. He was going to head home to his parents, who at this point woke up at 4 am, tended to the garden, read the newspaper, left the stove top on all day in case [...]
It’s time for a little late night drive. Passing through city lights, everyone out and wasted, I’m pretending to know their conversations. Windows closed, the silence in my car larger than the life outside of it. Some holding hands, others dancing on the sidewalks, more running through the streets. I grip the cold [...]
Monday can be the best day of your week if you’re willing to make it happen. Buffalo Rodeo’s brand of kinetic upstart indie rock is sure to give a jolt to anyone’s fresh work week despair. And if you’re happy-go-lucky ALL THE TIME, this Bowling Green, Kentucky group should be right up your alley.
Is it possible to mix angst with elation? These girls (twins!) think so.
If you like, head on over to their Kickstarter page and see how you can support ‘em.
Good Graeff on the web | [...]
It’s time for music fans to sit up and take notice: there’s something special going on in Minneapolis. A solid stream of excellent music is coming out of the twin cities these days, and the latest to add to the list is Prissy Clerks. The band’s debut album, Bruise or Be Bruised, is [...]
We’re back! Thanks for sticking with us through this insanely hectic month. We’re slowly but surely rounding back into form.
Bad Breaks is the project of San Antonio drummer, Chuck Kerr, who arranges all songs on piano then approaches his band with the material and makes it roll. “Won’t Come Home,” off Bad [...]
While I attempt to work through the consequences of this storm (I am perfectly fine and have power, not to fear!), I don’t have much mental capacity to say anything other than “listen!”. But the song below, which came out yesterday, is helping me become a little less stir-crazy. The 1975′s new EP, [...]