[Hype Hype Hooray] My Music Makes Me Live

HypeHypeHoorayNEW

Hype Hype Hooray is a biweekly “critique” of the music scene and the blogosphere that feeds it, told through the lens of Jamie Hale, a journalist who likes music about as much as he likes scotch and a firm leather chair. Please enjoy with a grain of salt.

I drive 68 miles an hour down I-205 outside Portland. It’s 11 p.m. and my mind is racing. Dim orange highway lights creep through a haze of dense fog. Hoards of insanities enter and exit my brain at breakneck pace. They are a mass of random associations, phrases that carry no meaning. Words like “leave it to be.” Leave it to be. Leave it to be. Leave it to be. I utter them on loop, my mind a broken record, skipping on the next crazy thought as I hurdle through the open night.

This moment of mania didn’t rise on its own from my strange subconscious. No. It could never. It had help. It was music that brought it to fruition. Music that buzzes madly from my cheap stereo, fills my car, and rolls through my body.

“How could I feel so-so when I’m feeling like a little honey can roll?” it wails. “Tart but not total and I’m feeling like a little honey can roll?”

I drown in the words. The music fills my lungs. My pupils dilate wildly in the night.

***

Occasionally I meet people who think very little of music. “I don’t really listen to it” they tell me. “It just doesn’t do it for me.” I accept their views, and I make no effort to change them. But that idea, that music is meaningless, has no purpose in their lives, fills me with great sadness.

Music can be so transformative for me. It’s odd. The right combination of frequencies, when coupled with the perfect rhythms, can swirl and mix with the chemicals in my brain to induce some brilliant shade of human emotion–from the deep blues of depression, through tranquil green serenity, to the the wild manic neons that drive me to insanity.

I look back at the music-less souls, my mind drifting in a sea of melody, theirs sitting idly, comfortably on the shore, and I can’t help but be confounded. Why do these songs, these notes, these sounds, have such profoundly different effects on us? Why does it twist my mind, but not theirs?

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[Hype Hype Hooray] A Snap Judgment of Modern Music

Hype Hype Hooray is a biweekly “critique” of the music scene and the blogosphere that feeds it, told through the lens of Jamie Hale, a journalist who likes music about as much as he likes scotch and a firm leather chair. Please enjoy with a grain of salt.

Previously, on Hype Hype Hooray: “I have been penning this column as some sort of knowledge on the present music scene, but for the last year … I haven’t been following anything at all … I had lost everything … I wandered the streets of music like a bum.”

No, it wasn’t all just a dream. Last week I admitted to the treacherous act of ignoring the entire music scene for a solid year. (Look away from me! Look away from my shameful deeds!)

As much as it pains me to suddenly be what can best be described as a “hack,” I’ve come to terms with my reality. Now the question on my lips is: What is the current music scene like anyway?

To answer that question, allow me to welcome you to: A Snap Judgment of Modern Music. (Some of you might be comparing this to Laura Jane’s wonderful post, “The Ten Most Beloved Songs I Hate,” but the similarity is coincidental, I promise.)

The rules here are simple. I will listen to five songs on Pitchfork I’ve never heard before, then make snap judgments about them. It’s pretty self-explanatory, I guess. Ready? Let’s go.

Continue reading [Hype Hype Hooray] A Snap Judgment of Modern Music

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