Wooden Shjips make best record to date with West

San Francisco has a long history with psychedelic music, but no band epitomizes the new psychedelic sound of San Francisco like Wooden Shjips. After releasing some great records on Holy Mountain, Wooden Shjips unleash West, their first record for Thrill Jockey. West finds the band in a proper studio for the first time […]

Appetite

Am I allowed to be late on bands in today’s cutthroatingly competitive society? Music is good until it’s not, and being out there for a little while does not make music not good. Dig? PROFOUND. (I’m really admitting an inferiority complex here.)

In my quest to make this the worst-written post ever on […]

Glenn Jones’ The Wanting fills us with satisfaction

The Wanting is an intriguing title for Glenn Jones’ fourth solo record, and first for the Thrill Jockey label. You expect to feel a deep yearning of sense of loss pouring from each song; instead, each track is completely satisfying and exudes feelings of contentment.

Jones comes from the John Fahey and Robbie […]

Barn Owl’s psych-doom-folk is hypnotic on Lost in the Glare

Do you remember that forgotten space station marooned in some remote corner of the universe populated by two half-insane astronauts? You’ve probably seen it in a late night movie that blurred in your mind years ago. It seems impossible, but at some point our two lonely and mostly-out-of-their-minds astronauts get it together and […]

[MP3] Southerly: “Do We Believe?”

Southerly, aka singer/songwriter Krist Krueger, is about ready to drop his third full-length, Youth, on September 20 via Greyday Records.

In anticipation of the release, Krueger, from Portland, Oregon, has released a new mp3, titled “Do We Believe?”. A strong piano line leads the way as Kreuger builds the song up with surging […]

[Abby’s Road] “Pure Blood Will Kill You”

Well, not YOU you, but some people. Give me a moment to set this up.

The last two weeks involved our hanging out with some new friends, a(nother) American/German couple. The expat half of the partnership and I, obviously, had loads in common at the get go. First and foremost, we both left […]

[soundscape] imperfect

photo: ‘condemn’

song: leonard cohen – “sisters of mercy” [stream only] (buy) [Audio clip: view full post to listen]

‘it began as a mistake.’ – bukowski

it began as a mistake. i was driving down the street and there was this perfect, little woman. she had old, kind eyes. she looked weathered but […]

Mausi

http://www.vimeo.com/27889463

I love this. Mausi is a sibling-led foursome based out of Newcastle who make undeniably fun and catchy indie pop. I’ll let the video do the rest of the talking.

Stream and Download “sol.” below.

Mausi on the web | Facebook | […]

[The Past Presents] U2 – “Achtung Baby”

The Past Presents revisits revered albums from the past 20-25 years to ask the question, “Is this album still a classic, or has it lost its edge over the years?”. Was it a great record for that particular time and place, or is it something we’ll be passing on to our kids? It also looks at the “lost classics” – countless albums that should have earned more attention but for one reason or another fell through the cracks.

The comparison of music, particularly specific albums or songs, to mile markers on the highway of life is an apt one. It’s exceedingly easy to trace your life’s path just by looking at your record collection. It’s all there: the highs and lows, memorable moments, moments of high accomplishment, and periods of boredom and depression, preserved for all time by the music that scored those moments. In my own experience, U2 found a place on many of life’s mile markers; but, since its release, Achtung Baby has been more like another passenger in the car than just another mile marker. U2 first cropped up for me in 1983. I remember hearing “Sunday Bloody Sunday” and “New Year’s Day” on the radio seemingly every time I got in the car. Soon “Pride” was also a fixture on every car ride. It went on and on. U2 were always there, lurking around the edges, always slightly out of synch with me. I liked the band, but it was mostly the singles that stuck with me. I was, without a doubt, a greatest hits fan when it came to U2.

Everything changed in the fall of 1991. At this time I was starting my senior year of high school. My friends and I had been obsessed with music since middle school and we showed no signs of stopping. That summer of 1991 we’d logged many hours at the local record store and spent many more hours pouring over video tape of recent episodes of 120 Minutes (for those too young to remember, this was an MTV show that played videos from alternative/indie/punk bands). I remember being slack-jawed the first time we saw the video for Nirvana’s “Smells Like Teen Spirit.” When that video ended I knew this band from Seattle had just changed something for me. What I didn’t know was that I would have that feeling again just a few weeks later when U2 released the video for “The Fly,”the first single from their new record, Achtung Baby.

Continue reading [The Past Presents] U2 – “Achtung Baby”

[Hype Hype Hooray] “Did Lady Gaga Jump The Shark?” and Other Questions She Should Be Asking Her Reflection in the Morning

Every [two weeks?] Jamie Hale takes a long, hard look at the music industry and the blog scene that feeds it. Here, he releases those findings and makes snarky, sarcastic remarks. Admittedly, both Jamie and Knox Road are a part of this scene. So sue us.

I heard this year’s Video Music Awards […]